A Love Letter to Normandy: The Story
Behind My New Book
Some stories take time to find their true shape. I first began writing
this novel in 2014, reaching about twenty thousand words before setting it
aside, uncertain of its direction. After years of refining, editing, and
reimagining, I’m finally releasing it—eleven years later.
The story of Sebastien and Victoria carries fragments of reality, woven
with semi-autobiographical touches. Not everything is drawn from my own life,
but certain moments reflect personal truths.
From the start, I knew I wanted this book to honor Normandy. My husband’s
family roots run deep in its soil, their history tied to its landscapes. The
connection isn't just heritage—it’s something imprinted on his soul. Normandy
also holds special meaning for me: it’s where our youngest child, Yaakov, was
born, after a difficult period of loss. This book became more than just
fiction—it became my Love Letter to Normandy.
One place, in particular, called to me: Mont St. Michel. Its
towering presence, the tides that shape its surroundings, and the weight of its
history make it unlike anywhere else. In the novel, Mont St. Michel is where
the restaurant stands, where my protagonists live, and where their story
unfolds. To those who visit, it means many things, but I believe all would
agree on one defining characteristic—beauty. For over a millennium, it
has stood as a testament to time. If you
ever find yourself in Normandy, Mont St. Michel and the landing beaches are
places you must experience.
The Cover: A Story in Itself
Since 2016, Suzanna Smith has crafted every one of my book covers, and
she did something truly special for this one. It was essential that Mont St.
Michel appeared on the cover, but using its likeness—a UNESCO monument—came
with hurdles. Suzanna navigated them brilliantly, ensuring the final design
captured the spirit of the novel.
Beyond the island itself, hidden details on the cover reflect personal
meaning. The French doors at the back resemble those in Bon-Papa and
Bonne-Maman’s home—my husband's grandparents on the Jeulin side. From their
house in Val St. Pere, Mont St. Michel was always visible, just as it is for
Victoria’s grandparents and Sebastien’s parents in the book. Their home,
inspired by a place dear to my family, gives the story its heart. Even the farm
that Sebastien’s parents run pays tribute to my father-in-law’s cousin,
Lefevre—the name and setting shaped by kindness I’ve known firsthand.
Another subtle yet significant touch: the tiles. The ones on the back of the cover echo those from Bonne-Maman’s kitchen, a place rich with memories. These small details make the cover feel deeply personal and complete
Suzanna captured every ounce of meaning—and more—creating a cover that
melted my heart. I love all my book children equally, but if I had to save just
one… I think I’d reach for this one first.
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